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ACCESS FLOOR PANELS. FLOOR PANELS


Access Floor Panels. Deco Breeze Floor Fans. Electric Underfloor Heating Carpet.



Access Floor Panels





access floor panels






    access
  • Approach or enter (a place)

  • entree: the right to enter

  • Obtain, examine, or retrieve (data or a file)

  • obtain or retrieve from a storage device; as of information on a computer

  • reach or gain access to; "How does one access the attic in this house?"; "I cannot get to the T.V. antenna, even if I climb on the roof"





    panels
  • A thin piece of metal forming part of the outer shell of a vehicle

  • A flat board on which instruments or controls are fixed

  • (panel) empanel: select from a list; "empanel prospective jurors"

  • A thin, typically rectangular piece of wood or glass forming or set into the surface of a door, wall, or ceiling

  • (panel) decorate with panels; "panel the walls with wood"

  • (panel) sheet that forms a distinct (usually flat and rectangular) section or component of something





    floor
  • The lower surface of a room, on which one may walk

  • A level area or space used or designed for a particular activity

  • the inside lower horizontal surface (as of a room, hallway, tent, or other structure); "they needed rugs to cover the bare floors"; "we spread our sleeping bags on the dry floor of the tent"

  • shock: surprise greatly; knock someone's socks off; "I was floored when I heard that I was promoted"

  • All the rooms or areas on the same level of a building; a story

  • a structure consisting of a room or set of rooms at a single position along a vertical scale; "what level is the office on?"











access floor panels - 10 dBi




10 dBi 2.4GHz WIFI Antenna


10 dBi 2.4GHz WIFI Antenna



Replacing your WiFi antenna with our booter will significantly increase the range and strength of your WiFi signal. Our quality built 3x power omni-directional Booster WiFi antenna is a direct replacement for the antenna that comes standard with your router, access point, VOIP device, or PCI card. Because it is omni-directional, no aiming is equired - it can send and receive WiFi in all directions. Our antenna is even 2x stronger then the less powerful booster antennas offered by major manufacturers (2x the power of the Linksys HGA7S and HGA7T.) Installation is very easy - just twist off the factory antenna and twist on our Booster Antenna and you'll experience an instant jump in performance: up to 4x the signal strength and 3x the range. Compatible with all 802.11b and 802.11g WiFi networks and devices, it extends your WiFi into hard-to-reach areas at home or in the office while at the same time reducing interference and noise. No tools are required for the installation of our antenna (twist-on / twist-off.) Your satisfaction is guaranteed. If you are unhappy with this product for any reason, you can return it for a refund. Complete with Lifetime Warranty against breakage.










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Marking Floor Panel




Marking Floor Panel





Here you can see an access floor panel being marked prior to cutting for installation by Fieldmans Access Floors Ltd.











Levelling Floor Panels




Levelling Floor Panels





In this photo you can see raised access floor panels being levelled and installed by Fieldmans Access Floors Ltd.









access floor panels








access floor panels




Tripp Lite SRW12USG 12U Wall Mount Rack Enclosure Cabinet with Plexiglass Front Door (Black)






The SRW12USG 12U Wall Mount Rack Enclosure Cabinet is designed to integrate wall-mounting, easy equipment access, and cable management in IT network applications with limited floor space. Ventilated front door, with Plexiglass insert, and side panels allow generous airflow to keep equipment operating safely. Adjustable rack rails with square mounting holes accommodate up to 12U of standard 19" rackmount equipment. Supports up to 140 lbs of equipment. A sturdy hinge between the cabinet and the wall-mount bracket allows the cabinet to swing away from the wall for easy access to equipment and cabling. Top and bottom panels include convenient cutouts for cable routing.










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24
2011
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FOR TO THE FLOOR LYRICS. THE FLOOR LYRICS


For To The Floor Lyrics. Black White Vinyl Floor. Floors And Decor Tile.



For To The Floor Lyrics





for to the floor lyrics







    lyrics
  • Lyric poetry as a literary genre

  • (lyric) expressing deep emotion; "the dancer's lyrical performance"

  • A lyric poem or verse

  • (lyric) write lyrics for (a song)

  • The words of a song

  • (lyric) the text of a popular song or musical-comedy number; "his compositions always started with the lyrics"; "he wrote both words and music"; "the song uses colloquial language"





    floor
  • A level area or space used or designed for a particular activity

  • shock: surprise greatly; knock someone's socks off; "I was floored when I heard that I was promoted"

  • the inside lower horizontal surface (as of a room, hallway, tent, or other structure); "they needed rugs to cover the bare floors"; "we spread our sleeping bags on the dry floor of the tent"

  • a structure consisting of a room or set of rooms at a single position along a vertical scale; "what level is the office on?"

  • The lower surface of a room, on which one may walk

  • All the rooms or areas on the same level of a building; a story











for to the floor lyrics - Harmony for




Harmony for a New Millennium: An Introduction to Metatonal Music


Harmony for a New Millennium: An Introduction to Metatonal Music



This book by versatile trumpet player and composer Randy Sandke is divided into three parts. In Part One, he identifies and organizes all four-note chords which lie beyond the tonal system and cannot be represented by conventional chord systems. Part Two deals with deriving melodic material from these metatonal chords, and in Part Three, Sandke shows how he has used these ideas in his own music, with example pieces included for symphony orchestra and jazz quintet. "A fresh, creative approach to improvisation ... Highly recommended." - Michael Brecker










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November 1st and 25th




November 1st and 25th





Opening That Door And Passing Through It Put Him In A Completely Different World. A Few Steps forward or a few steps back At that point and there was a significant difference in atmosphere. Starbucks Always Felt Like That To Ronald. The Scent of ideally Roasted Coffee Beans and placid jazz notes glided softy to the nose and ear, respectively.
There were few people here, some occupied with books, some taking advantage of the wireless internet here, some simply staring out at a stressful world that there were glad to be separate from. The kind Ronald found here; He Always though them to be sophisticated and admired them. He’d Give Anything to Be Them. Anything To Escape Himself. But, All of these thoughts were forgotten the instant He spotted two female baristas behind the counter. He stood up a little Straighter and approached the counter. “I’ll Be with you in a second,” Said The Shorter Of the two baristas before handing out a steaming hot coffee to and older gentleman who nodded to the girl and left.
Ronald ran his fingers through his hair and surveyed the Shelf beside him while waiting. It was lined neatly with bags of nearly every blend Starbucks had to offer. He chuckled, remembering his taste in coffee and other things being called “High-Dollar” by his grandfather.
He drifted from the counter While the Memories Twirled in his head, oblivious to the conversation the two barista where having. However, It Didn’t Stay That Way for long. As Ronald Stood There the Short, Blonde Barista Brought Ronald Back to the Present with a question, “…Don’t You Agree?”
He blinked, “Uh yeah…Definitely.” Ronald Had No Idea What He Just Agreed to.
“See, Even He Thinks So!” She Said confidently to her co-worker and then turned to face a stupefied Ronald again to take his order. There was Usually Scripted Exchange and Then She Left to Prepare his drink. Ronald gave a sigh of relief and looked over at the other busy barista who slipped into the back of the cafe and out of sight. Moments Later The Blonde Barista Returned To Ronald.“Here… I Made This for You…” She Said With A Smile. Ronald’s gut tightened.
There was something about the way she said it. Was It Her Tone? Her charismatic appearance? Whatever It Was, Ronald was flattered. It was not an ordered icy frappuccino she gave him. It was a gift from a friend. At least That’s The Feeling It Gave Him.
“Thanks” He said, looking at her strongly. Then, Ronald Made His way to an empty table near the front of the restaurant with a bit of energy in his step. Upon Sitting Down he immediately began to swirl the whipped cream and strands of fudge around inside the cup, studying it intensely. He wondered why there was always such separation between others and himself. If only he could just mix himself into their lives somehow…. He hadn’t noticed but,The Chair In front of him moved….
“And Where’s Mine?” Someone Asked, Half- Jokingly. Ronald looked up at Allie and she tilted her head, waiting for a response. “Fine”, He said, sliding his untouched Frap over to Allie and looking away. Satisfied, she moved her hair aside and began to greedily guzzle Ronald’s Beverage. She stopped abruptly and slammed the cup on the table.
“Good, You Deserve It…” Ronald Commented with a cruel Grin. Allie Twisted And Turned in pain, Gripping her forehead. It Was A Massive Brain freeze. As torture Endured and Allie made several failed Attempts to Stomp Ronald’s foot. “Look, You Asked For It...” He jeered before retrieving his ear buds and putting them in and Setting the Music to A reasonable level.
The Door to the Cafe didn’t make a sound but there was a rush of air and a young woman in a beige Trench coat made her way into The Establishment, stopping just a few feet from where Ronald was. She Had Medium Length brown hair and a face Ronald Recognized From the past, though slightly Changed. Ronald’s eyes widened and his breathing ceased as the sight of her dredged up unfortunate recollections. She stood there scanning the tables, overlooking Ronald who immediately looked at the floor and prayed she wouldn’t see him.
Allie whispered, “Ronald, look…Its Amanda.” He Tried To Dismiss it, “No I Think Its Someone Else.. There was no way she could be here…” Her Sudden Appearance here shook him. He wondered if he was dreaming since that would be the only viable explanation. “I Think That You Should Know, Ronald. She’d Tell You if-“
“No. I’m the last one to know.” He said resentfully. She should Be Halfway across The world Right Now but this person who appeared to be her moved across the cafe and sat at an occupied table next to theirs. Ronald Tensed Up and Adjusted his chair so Amanda couldn’t see his face.
“A-O-A Are You Okay?,” Asked A Concerned Allie, slapping the table.” Say Something.”
Ronald was at a lost as to what he should say. What Kind Of A person would he be if he just ignored her? What was She Expecting? Ronald Was Inundated with Nervousness and he began to feel hot, “I Don’t Know what to do…”
“S











O'ahu - Honolulu - Capitol District: Washington Place - Aloha 'Oe




O'ahu - Honolulu - Capitol District: Washington Place - Aloha 'Oe





Aloha 'Oe (Farewell to Thee) is Queen Lili'uokalani's most famous song and a common cultural Leitmotif for Hawaii. The song was inspired by a horseback trip she took in 1877 to the windward side of O'ahu. After visiting the Boyd ranch in Maunawili, Lili'uokalani witnessed a farewell embrace between Colonel James Boyd and one of the young ranch ladies. A tune came to her on the ride home and she composed the words once she returned to Washington Place.

Washington Place, located at 320 South Beretania Street, was the site where Queen Lili'uokalani was arrested during the overthrow of the Hawaiian Kingdom and later became the official residence of the Governor of Hawai'i. The Greek Revival home was built to the design of Isaac Hart in 1847 by Daniel Jenner for Captain John Dominis, who was lost at sea a few months earlier on a voyage to China to purchase household furnishings. The widow Mary Dominis rented out rooms in the home to support herself, one of which was to Anthony Ten Eyck, an American Commissioner to the islands appointed by President James K. Polk who established the American Legation in the house. Ten Eyck named the house "Washington Place" in a February 22, 1848 letter, after George Washington in celebration of the first US president's birthday.

The foundation of the building, the lower level walls and the lower columns are all constructed of coral stone. The upper floor is of wood frame construction. Washington Place conforms to period French Creole Greek Revival houses that were built along the lower Gulf-Coastal region of the southeastern United States. The home was constructed with an almost square core surrounded by a peristyle, a two tiered verandah, Tuscan columns on its upper floor, and a hipped roof. The interior is arranged in a traditional Georgian floor plan, with four distinct parlors on the first floor and four bedchambers on the second floor.

William Little Lee made Washington Place his home from 1849–1854. Lee was instrumental in integrating a Western legal system in the Hawaiian Islands, based upon the Massachusetts model, and authored the Great Mahele, which introduced private land ownership into Hawaiian culture.

Lydia Kamakaeha Paki, the future Queen Lili'uokalani and the Heir Apparent to the throne of the Kingdom of Hawai'i, married John Owen Dominis, the son of John Dominis, in 1862. After Mary Dominis died in 1889, and John Owen Dominis died in 1891, Washington Place was left to Lili'uokalani, who just became Queen after the death of her brother, King Kalakaua. In 1893, the Queen was arrested here and ultimately tried before a military tribunal, where she was charged with and convicted of concealment of treason against the new government, the Republic of Hawai'i. After her release, she resided at Washington Place for the remainder of her life. She died in the downstairs bedroom of the house on November 11, 1917.

Beginining in 1918, Washington Place became the Executive Mansion for twelve territorial and state governors of Hawai'i. Technically it was the residence of 13 governors because John Owen Dominis, the queen's consort, was Royal Governor of the island of O'ahu from 1868 to 1891. The home served in this role until 2002, when it became a historic house museum.

National Register #73000666 (1973)
Hawaii Capital Historic District #78001020 (1978)









for to the floor lyrics








for to the floor lyrics




Charli Persip - How Not to Play Drums: Not for Drummers Only






From Tadd Dameron through Dizzy Gillespie, Billy Eckstine, Cannonball Adderly and Benny Golson, to his own 17-piece "Supersound" big band, Charli Persip has been one of the most in-demand drummers in all of jazz, as well as in the pop genre. A textbook example of how to play the drums, Persip has proven his worth in a wide variety of ensembles and handled the transitions from one group to the next without missing a beat. Learn from his experiences and share some of his insights in this practical, down-to-earth text. Newly revised and expanded to include "The Warm-Up Exercise," this book for all musicians and music lovers is loaded with playing tips, great advice and anecdotes.










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24
2011
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0

FREE FLOOR PLAN PROGRAM. FREE FLOOR


Free floor plan program. Floors for basement.



Free Floor Plan Program





free floor plan program






    floor plan
  • scale drawing of a horizontal section through a building at a given level; contrasts with elevation

  • (Floor planning) Floorplanning is the act of designing of a floorplan, which is a kind of bird's-eye view of a structure.

  • In architecture and building engineering, a floor plan, or floorplan, is a diagram, usually to scale, showing the relationships between rooms, spaces and other physical features at one level of a structure.

  • A scale diagram of the arrangement of rooms in one story of a building





    program
  • Provide (a computer or other machine) with coded instructions for the automatic performance of a particular task


  • Cause (a person or animal) to behave in a predetermined way

  • Input (instructions for the automatic performance of a task) into a computer or other machine

  • arrange a program of or for; "program the 80th birthday party"

  • plan: a series of steps to be carried out or goals to be accomplished; "they drew up a six-step plan"; "they discussed plans for a new bond issue"





    free
  • able to act at will; not hampered; not under compulsion or restraint; "free enterprise"; "a free port"; "a free country"; "I have an hour free"; "free will"; "free of racism"; "feel free to stay as long as you wish"; "a free choice"

  • Without cost or payment

  • grant freedom to; free from confinement

  • loose: without restraint; "cows in India are running loose"

  • With the sheets eased











New York Free Circulating Library, Bloomingdale Branch




New York Free Circulating Library, Bloomingdale Branch





Morningside, Manhattan, New York City, New York, United States

The New York Free Circulating Library, Bloomingdale Branch, was the only building commissioned and built by the New York Free Circulating Library and as such is an expression of the library's commitment to the branch circulating library system during the period of peak expansion prior to consolidation with the New York Public Library. A distinguished eighteenth-century French Classic style design inspired by Italian Renaissance and other related sources, it is one of four pre-Camegie era library buildings in New York City and serves as a reminder of the legacy of private philanthropic support of the city's libraries during the nineteenth century. The design of the building, constructed in 1898, by James Brown Lord, architect of the New York Appellate Division Courthouse, appears to have been an influential prototype in the development of the urban branch library, as demonstrated by the design program for the Carnegie gift branch buildings constructed in the early years of the twentieth century.

The building, which remains virtually unchanged from the original design, served as the Bloomingdale Branch of the New York Public Library until 1960 and continues in use as a library and research facility for the Ukrainian Academy of Arts and Sciences.

The Bloomingdale Branch building, three stories over a basement, is of steel-frame fireproof construction with brick upper walls. The library was planned with the circulating library located on the main floor; bookshelves lined the walls and served as a room divider, separating the adult and children's areas. A reading room and reference library with a capacity of thirty-six seats occupied the second floor, and the third floor was devoted to janitor's quarters and a storage room. The lighting of the facility was carefully planned and incorporated large windows in the front and smaller windows above the wall shelves at the rear, a large, inclined skylight with Luxfor prismatic glass, and fixtures fitted for both gas and electricity.

The Bloomingdale Branch was erected at a time when there was great interest among both librarians and architects in the design of modem libraries. The well-publicized competition for the main building of the New York Public Library in 1897, the recent construction of the Library of Congress and the Boston Public Library, and the planning of public libraries in many cities, as well as such changes in library management as the open shelf arrangement, encouraged the discussion of the ideal plan and organization for various types of libraries.

Traditionally, a library had consisted of a reading room lit by a central clerestory above and side aisles where books were stored in alcoves or on shelves. Nineteenth-century innovations included the use of tiers of books in alcoves, which evolved into the modem "stacks" and the storage of books in floor cases in parallel rows rather than around the perimeter of the room in an attempt to maxiniize light falling on the books rather than the aisles. Librarians urged the adoption of rational plans with a minimum of architectural embellishment and were increasingly critical of the grand, lofty reading room. By 1890, many of the modem ideas had been incorporated into the quintessential freestanding library, a picturesquely massed form developed by Henry Hobson Richardson which often included a stair tower, an arched entry, and the fortress-like book storage wing with windows in the upper wall.

The problem of the form of a library was different in New York where urban density mandated the use of midblock sites. The midblock branch libraries built in New York prior to 1898, had been nearly residential in form and looked to the romantic styles popular in the third quarter of the nineteenth century. The Ottendorfer Branch Library (135 Second Avenue, 1883-84, a designated New York City landmark) by William Schickel was designed to relate to the German Dispensary next door with its mixture of Queen Anne elements and Renaissance detailing and arched entry. The George Bruce Branch library (226 West 42nd Street, 1887-88) designed by George E. Hamey was somewhat Romanesque in style and an arched entrance supported by rusticated piers filled the first story facade. The Jackson Square Branch library (251 W. 13th" Street, 1888, within the Greenwich Village Historic District) designed by Richard Morris Hunt for George W. Vanderbilt, was residential in scale and Flemish in style.

The Harlem Library (32 West 123rd Street, 1891-92) designed by Edgar K. Bourne, which housed the library on the ground floor and bachelor apartments above, was similar to the Romanesque style rowhouse next door.

The use of the neo-classical/Italian Renaissance style in library design as an alternative to the more romantic Richardsonian style, had recently found favor with McKim, Mead & White for the Low Library at Columbia University (1893) and the Gould Mem











New York Free Circulating Library, Bloomingdale Branch




New York Free Circulating Library, Bloomingdale Branch





Upper West Side, Manhattan

The New York Free Circulating Library, Bloomingdale Branch, was the only building commissioned and built by the New York Free Circulating Library and as such is an expression of the library's commitment to the branch circulating library system during the period of peak expansion prior to consolidation with the New York Public Library. A distinguished eighteenth-century French Classic style design inspired by Italian Renaissance and other related sources, it is one of four pre-Camegie era library buildings in New York City and serves as a reminder of the legacy of private philanthropic support of the city's libraries during the nineteenth century. The design of the building, constructed in 1898, by James Brown Lord, architect of the New York Appellate Division Courthouse, appears to have been an influential prototype in the development of the urban branch library, as demonstrated by the design program for the Carnegie gift branch buildings constructed in the early years of the twentieth century. The building, which remains virtually unchanged from the original design, served as the Bloomingdale Branch of the New York Public Library until 1960 and continues in use as a library and research facility for the Ukrainian Academy of Arts and Sciences.

The Bloomingdale Branch building, three stories over a basement, is of steel-frame fireproof construction with brick upper walls. The library was planned with the circulating library located on the main floor; bookshelves lined the walls and served as a room divider, separating the adult and children's areas. A reading room and reference library with a capacity of thirty-six seats occupied the second floor, and the third floor was devoted to janitor's quarters and a storage room. The lighting of the facility was carefully planned and incorporated large windows in the front and smaller windows above the wall shelves at the rear, a large, inclined skylight with Luxfor prismatic glass, and fixtures fitted for both gas and electricity.

The Bloomingdale Branch was erected at a time when there was great interest among both librarians and architects in the design of modem libraries. The well-publicized competition for the main building of the New York Public Library in 1897, the recent construction of the Library of Congress and the Boston Public Library, and the planning of public libraries in many cities, as well as such changes in library management as the open shelf arrangement, encouraged the discussion of the ideal plan and organization for various types of libraries.

Traditionally, a library had consisted of a reading room lit by a central clerestory above and side aisles where books were stored in alcoves or on shelves. Nineteenth-century innovations included the use of tiers of books in alcoves, which evolved into the modem "stacks" and the storage of books in floor cases in parallel rows rather than around the perimeter of the room in an attempt to maxiniize light falling on the books rather than the aisles. Librarians urged the adoption of rational plans with a minimum of architectural embellishment and were increasingly critical of the grand, lofty reading room. By 1890, many of the modem ideas had been incorporated into the quintessential freestanding library, a picturesquely massed form developed by Henry Hobson Richardson which often included a stair tower, an arched entry, and the fortress-like book storage wing with windows in the upper wall.

The problem of the form of a library was different in New York where urban density mandated the use of midblock sites. The midblock branch libraries built in New York prior to 1898, had been nearly residential in form and looked to the romantic styles popular in the third quarter of the nineteenth century. The Ottendorfer Branch Library (135 Second Avenue, 1883-84, a designated New York City landmark) by William Schickel was designed to relate to the German Dispensary next door with its mixture of Queen Anne elements and Renaissance detailing and arched entry. The George Bruce Branch library (226 West 42nd Street, 1887-88) designed by George E. Hamey was somewhat Romanesque in style and an arched entrance supported by rusticated piers filled the first story facade. The Jackson Square Branch library (251 W. 13th" Street, 1888, within the Greenwich Village Historic District) designed by Richard Morris Hunt for George W. Vanderbilt, was residential in scale and Flemish in style. The Harlem Library (32 West 123rd Street, 1891-92) designed by Edgar K. Bourne, which housed the library on the ground floor and bachelor apartments above, was similar to the Romanesque style rowhouse next door.

The use of the neo-classical/Italian Renaissance style in library design as an alternative to the more romantic Richardsonian style, had recently found favor with McKim, Mead & White for the Low Library at Columbia University (1893) and the Gould Memorial Library at the Bronx Campus of New









free floor plan program







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24
2011
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NATURAL RED OAK FLOORING - OAK FLOORING


Natural Red Oak Flooring - Elegant Floors.



Natural Red Oak Flooring





natural red oak flooring







    natural
  • A thing that is particularly suited for something

  • in accordance with nature; relating to or concerning nature; "a very natural development"; "our natural environment"; "natural science"; "natural resources"; "natural cliffs"; "natural phenomena"

  • A person regarded as having an innate gift or talent for a particular task or activity

  • A sign (?) denoting a natural note when a previous sign or the key signature would otherwise demand a sharp or a flat

  • a notation cancelling a previous sharp or flat

  • someone regarded as certain to succeed; "he's a natural for the job"





    red
  • (of a person's eyes) Bloodshot or having pink rims, esp. with tiredness or crying

  • (of a person or their face or complexion) Flushed or rosy, esp. with embarrassment, anger, or a healthy glow

  • red color or pigment; the chromatic color resembling the hue of blood

  • a tributary of the Mississippi River that flows eastward from Texas along the southern boundary of Oklahoma and through Louisiana

  • crimson: characterized by violence or bloodshed; "writes of crimson deeds and barbaric days"- Andrea Parke; "fann'd by Conquest's crimson wing"- Thomas Gray; "convulsed with red rage"- Hudson Strode

  • Of a color at the end of the spectrum next to orange and opposite violet, as of blood, fire, or rubies











natural red oak flooring - Cumberland II




Cumberland II 7mm Red Oak Natural Laminate


Cumberland II 7mm Red Oak Natural Laminate



7772207D Please note, this is the new Cumberland II, replacing the previous flooring part number 7772207C. It is important to note that the new 7772207D flooring will not lock with the old. Specifications: -Color: Red Oak Natural. -Construction: Laminate. -Installation Type: Float, ArmaLock Installation System. -Width: 7.6''. -Length: 54.33''. -Thickness: 0.28 . -Square Feet Per Carton: 28.67 Sq Ft. -Planks Per Carton: 10. Features & Benefits -ArmaLock Installation System. -No glue needed. -Full Bathroom installations - 100pct silicone caulk must be used around the entire perimeter and a 3/32'' bead of glue on the top of the tongue ONLY. -Durability, beauty, warranty protection and easy care at an incredibly affordable price. -Enhanced visuals and surface texture. -Wood-Grain embossing. -No acclimation required. Related Trim -Quarter Round: 05138. -T-Molding: 05238. -Reducer: 05038. -Threshold: M5438. -Stair nose: N/A. -47'' Flush Stair nose: 05338. -Base / Shoe: 05538. -Filler: N/A. -Overlap Stair: N/A. -Overlap Reducer: N/A. -47'' Overlap Step: 05638. Warranty: -Residential: 20 Years. View Interactive Installation Guide For Locking Laminate Flooring In order to maintain warranty & integrity of the floor, Armstrong recommends the use of only Armstrong branded products like underlayment, pads, moldings and installation kits as needed with every job.










87% (19)





New Floors in Our Living & Dining Rooms - In Process




New Floors in Our Living & Dining Rooms - In Process





We're having natural red oak floors put into the living & dining rooms in our new house. Thanks to our friends up north!-this beautiful flooring is made in Canada. This view is from the dining room looking into the living room. They should be done by tomorrow.











Red Oak Flooring NATURAL COLOR




Red Oak Flooring NATURAL COLOR





Red Oak harvested in Ozark Mtns and Handcrafted into Elegant Flooring









natural red oak flooring








natural red oak flooring




Stained Red Oak Flooring Gunstock / Natural / 4 1/4 in. / Semi-Gloss






Jasper hardwood flooring is made exclusively from quality northern lumber. Jasper's tradition of manufacturing excellence is an integral part of every Jasper wood flooring product. All hardwood from Jasper is precision-milled, subject to stringent quality controls and dried in state-of-the-art kilns. This line of stained red oak has a smooth surface that is bolstered by 9 coats of OXYLUST + Exclusive aluminum oxide finish. This finish offers superior wear resistance over the competition in addition to limiting bacteria and mold proliferation through the use the antimicrobial agent Ultra-Freshandtrade;. All Jasper flooring is 3/4in. thick. It is tongue and groove and comes with a 35 year warranty against manufacturing / structural defects - Rustic grade is exclusive of this warranty.










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24
2011
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0

SOLID TIMBER FLOOR : TIMBER FLOOR


Solid Timber Floor : Floor Standing Bathroom Cabinets.



Solid Timber Floor





solid timber floor







    solid
  • Strongly built or made of strong materials; not flimsy or slender

  • Having three dimensions

  • the state in which a substance has no tendency to flow under moderate stress; resists forces (such as compression) that tend to deform it; and retains a definite size and shape

  • Firm and stable in shape; not liquid or fluid

  • characterized by good substantial quality; "solid comfort"; "a solid base hit"

  • matter that is solid at room temperature and pressure











solid timber floor - Pneumatic 2




Pneumatic 2 in 1 hardwood floor nailer for HARDWOOD FLOORING 1-1/2-Inch to 2-Inch Hardcore Tools®


Pneumatic 2 in 1 hardwood floor nailer for HARDWOOD FLOORING 1-1/2-Inch to 2-Inch Hardcore Tools®



Own your own professional craftsman grade tool for less than the cost of one or two weeks of tool rental. Do a professional installation of your beautiful hardwood flooring faster and easier. Our high-speed hardwood flooring, 2 in 1 pneumatic (powered by air compressor) cleat nailer / stapler is designed to install tongue and groove flooring using 1" to 2" length L-shaped cleat nails or staples on flooring thickness 1/2", 5/8", 3/4", or 25/32". Technical Information: Minimum Operating Air Pressure: 60 PSI 4 bar Maximum Operating Air Pressure: 100 PSI 7 bar Staple Length Range: 1" - 2" 25.4 mm-50.8 mm Staple Size: 16 Guage Staple Capacity :92 L-shaped Nail Length Range:1-1/2" - 2" 38.1 mm-50.8 mm L-shaped Nail Size: 15-1/2 L-shaped Nail Capacity:100 Air Inlet:1/4 inch NPT 6.35 mm Air Consumption:4.5 CFM 4.5 CFM Package Includes: Carrying Case 2 in 1 Flooring Cleat Nailer / Stapler Mallet Safety Glasses Air Tool Oil Base Plate S3 Hex Key S4 Hex Key S5 Hex Key Wrench-Special Instruction Manual.Operates with any standard compressor using pressure of 60 to 100 psi. High-capacity magazine reduces reload time. Precisely drives staples at proper angle and depth. QUALITY PRODUCTS @ QUALITY PRICES WHEN YOU SHOP WITH STERLINGTEK!!! The Hard Core Tools/SterlingTek name, images, and contents of this SterlingTek listing are protected by trademarks and copyrights. Copyright © 2008 SterlingTek.










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Solid Stars - TwitterBee Solid 6




Solid Stars - TwitterBee Solid 6





I'm so in love with how this quilt turned out! Thanks to all the Solid 6 participants for helping me complete this quilt top. It's just as I had envisioned.

This quilt will live on the spare bed that is in the soon-to-be nursery. The colors are pretty gender neutral (even if we find out we're having a girl I'd like to stay away from too much pink/purple) and will go perfectly with the other quilts I have planned for Casper.

I've started piecing the backing using the pieces of fabric that were sent back to me. However, I'm a little torn on whether or not my large leftover pieces of Moda Crossweave will hold up as backing. I think I'm going to risk it though, especially since I desperately need to reduce the amount of stashed fabric that I have before another human being resides in our small house.

My next decision will be how I want to quilt this. I'd like to keep the quilting pretty simple with either straight lines or stitching in the ditch of the stars & outer squares. Thankfully I have some time before I make a final decision.











Solids? Partner?




Solids?   Partner?





What do you think? All of them? Just some? Should I add more? No solids, prints instead?









solid timber floor








solid timber floor




Providence 7-7/8" Solid Oak in Vintage Timber






PVHS-001 Specifications: -Species: Oak. -Color: Vintage Timber. -Construction: Solid. -Installation type: Nailed or floated. -Subfloors: Wood. -Edge treatment: Micro-beveled. -Finish type: Treffert UV-cured urethane with aluminum oxide. -Surface appearance: Handscraped. -Width: 7.875''. -Length: 72.5''. -Thickness: 0.75''. -Cartons per pallet: 50. -Square feet per carton: 19.7 sq ft. Related Trim: -Flush Reducer: FR-PVHS-001. -Flush Stairnose: SN-PVHS-001. -Threshold / Carpet Reducer: TH-PVHS-001. -T - Molding: TM-PVHS-001. -Quarter Round: QR-PVHS-001. Manufacturer's Warranty: -Residential: 25 Years. -Commercial: 3 Years. For more information on this product please view the Specification Sheets below: Warranty Sheet Installation Instructions Cleaning Care Sheet










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24
2011
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