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FREE FLOOR PLAN PROGRAM. FREE FLOOR


Free floor plan program. Floors for basement.



Free Floor Plan Program





free floor plan program






    floor plan
  • scale drawing of a horizontal section through a building at a given level; contrasts with elevation

  • (Floor planning) Floorplanning is the act of designing of a floorplan, which is a kind of bird's-eye view of a structure.

  • In architecture and building engineering, a floor plan, or floorplan, is a diagram, usually to scale, showing the relationships between rooms, spaces and other physical features at one level of a structure.

  • A scale diagram of the arrangement of rooms in one story of a building





    program
  • Provide (a computer or other machine) with coded instructions for the automatic performance of a particular task


  • Cause (a person or animal) to behave in a predetermined way

  • Input (instructions for the automatic performance of a task) into a computer or other machine

  • arrange a program of or for; "program the 80th birthday party"

  • plan: a series of steps to be carried out or goals to be accomplished; "they drew up a six-step plan"; "they discussed plans for a new bond issue"





    free
  • able to act at will; not hampered; not under compulsion or restraint; "free enterprise"; "a free port"; "a free country"; "I have an hour free"; "free will"; "free of racism"; "feel free to stay as long as you wish"; "a free choice"

  • Without cost or payment

  • grant freedom to; free from confinement

  • loose: without restraint; "cows in India are running loose"

  • With the sheets eased











New York Free Circulating Library, Bloomingdale Branch




New York Free Circulating Library, Bloomingdale Branch





Morningside, Manhattan, New York City, New York, United States

The New York Free Circulating Library, Bloomingdale Branch, was the only building commissioned and built by the New York Free Circulating Library and as such is an expression of the library's commitment to the branch circulating library system during the period of peak expansion prior to consolidation with the New York Public Library. A distinguished eighteenth-century French Classic style design inspired by Italian Renaissance and other related sources, it is one of four pre-Camegie era library buildings in New York City and serves as a reminder of the legacy of private philanthropic support of the city's libraries during the nineteenth century. The design of the building, constructed in 1898, by James Brown Lord, architect of the New York Appellate Division Courthouse, appears to have been an influential prototype in the development of the urban branch library, as demonstrated by the design program for the Carnegie gift branch buildings constructed in the early years of the twentieth century.

The building, which remains virtually unchanged from the original design, served as the Bloomingdale Branch of the New York Public Library until 1960 and continues in use as a library and research facility for the Ukrainian Academy of Arts and Sciences.

The Bloomingdale Branch building, three stories over a basement, is of steel-frame fireproof construction with brick upper walls. The library was planned with the circulating library located on the main floor; bookshelves lined the walls and served as a room divider, separating the adult and children's areas. A reading room and reference library with a capacity of thirty-six seats occupied the second floor, and the third floor was devoted to janitor's quarters and a storage room. The lighting of the facility was carefully planned and incorporated large windows in the front and smaller windows above the wall shelves at the rear, a large, inclined skylight with Luxfor prismatic glass, and fixtures fitted for both gas and electricity.

The Bloomingdale Branch was erected at a time when there was great interest among both librarians and architects in the design of modem libraries. The well-publicized competition for the main building of the New York Public Library in 1897, the recent construction of the Library of Congress and the Boston Public Library, and the planning of public libraries in many cities, as well as such changes in library management as the open shelf arrangement, encouraged the discussion of the ideal plan and organization for various types of libraries.

Traditionally, a library had consisted of a reading room lit by a central clerestory above and side aisles where books were stored in alcoves or on shelves. Nineteenth-century innovations included the use of tiers of books in alcoves, which evolved into the modem "stacks" and the storage of books in floor cases in parallel rows rather than around the perimeter of the room in an attempt to maxiniize light falling on the books rather than the aisles. Librarians urged the adoption of rational plans with a minimum of architectural embellishment and were increasingly critical of the grand, lofty reading room. By 1890, many of the modem ideas had been incorporated into the quintessential freestanding library, a picturesquely massed form developed by Henry Hobson Richardson which often included a stair tower, an arched entry, and the fortress-like book storage wing with windows in the upper wall.

The problem of the form of a library was different in New York where urban density mandated the use of midblock sites. The midblock branch libraries built in New York prior to 1898, had been nearly residential in form and looked to the romantic styles popular in the third quarter of the nineteenth century. The Ottendorfer Branch Library (135 Second Avenue, 1883-84, a designated New York City landmark) by William Schickel was designed to relate to the German Dispensary next door with its mixture of Queen Anne elements and Renaissance detailing and arched entry. The George Bruce Branch library (226 West 42nd Street, 1887-88) designed by George E. Hamey was somewhat Romanesque in style and an arched entrance supported by rusticated piers filled the first story facade. The Jackson Square Branch library (251 W. 13th" Street, 1888, within the Greenwich Village Historic District) designed by Richard Morris Hunt for George W. Vanderbilt, was residential in scale and Flemish in style.

The Harlem Library (32 West 123rd Street, 1891-92) designed by Edgar K. Bourne, which housed the library on the ground floor and bachelor apartments above, was similar to the Romanesque style rowhouse next door.

The use of the neo-classical/Italian Renaissance style in library design as an alternative to the more romantic Richardsonian style, had recently found favor with McKim, Mead & White for the Low Library at Columbia University (1893) and the Gould Mem











New York Free Circulating Library, Bloomingdale Branch




New York Free Circulating Library, Bloomingdale Branch





Upper West Side, Manhattan

The New York Free Circulating Library, Bloomingdale Branch, was the only building commissioned and built by the New York Free Circulating Library and as such is an expression of the library's commitment to the branch circulating library system during the period of peak expansion prior to consolidation with the New York Public Library. A distinguished eighteenth-century French Classic style design inspired by Italian Renaissance and other related sources, it is one of four pre-Camegie era library buildings in New York City and serves as a reminder of the legacy of private philanthropic support of the city's libraries during the nineteenth century. The design of the building, constructed in 1898, by James Brown Lord, architect of the New York Appellate Division Courthouse, appears to have been an influential prototype in the development of the urban branch library, as demonstrated by the design program for the Carnegie gift branch buildings constructed in the early years of the twentieth century. The building, which remains virtually unchanged from the original design, served as the Bloomingdale Branch of the New York Public Library until 1960 and continues in use as a library and research facility for the Ukrainian Academy of Arts and Sciences.

The Bloomingdale Branch building, three stories over a basement, is of steel-frame fireproof construction with brick upper walls. The library was planned with the circulating library located on the main floor; bookshelves lined the walls and served as a room divider, separating the adult and children's areas. A reading room and reference library with a capacity of thirty-six seats occupied the second floor, and the third floor was devoted to janitor's quarters and a storage room. The lighting of the facility was carefully planned and incorporated large windows in the front and smaller windows above the wall shelves at the rear, a large, inclined skylight with Luxfor prismatic glass, and fixtures fitted for both gas and electricity.

The Bloomingdale Branch was erected at a time when there was great interest among both librarians and architects in the design of modem libraries. The well-publicized competition for the main building of the New York Public Library in 1897, the recent construction of the Library of Congress and the Boston Public Library, and the planning of public libraries in many cities, as well as such changes in library management as the open shelf arrangement, encouraged the discussion of the ideal plan and organization for various types of libraries.

Traditionally, a library had consisted of a reading room lit by a central clerestory above and side aisles where books were stored in alcoves or on shelves. Nineteenth-century innovations included the use of tiers of books in alcoves, which evolved into the modem "stacks" and the storage of books in floor cases in parallel rows rather than around the perimeter of the room in an attempt to maxiniize light falling on the books rather than the aisles. Librarians urged the adoption of rational plans with a minimum of architectural embellishment and were increasingly critical of the grand, lofty reading room. By 1890, many of the modem ideas had been incorporated into the quintessential freestanding library, a picturesquely massed form developed by Henry Hobson Richardson which often included a stair tower, an arched entry, and the fortress-like book storage wing with windows in the upper wall.

The problem of the form of a library was different in New York where urban density mandated the use of midblock sites. The midblock branch libraries built in New York prior to 1898, had been nearly residential in form and looked to the romantic styles popular in the third quarter of the nineteenth century. The Ottendorfer Branch Library (135 Second Avenue, 1883-84, a designated New York City landmark) by William Schickel was designed to relate to the German Dispensary next door with its mixture of Queen Anne elements and Renaissance detailing and arched entry. The George Bruce Branch library (226 West 42nd Street, 1887-88) designed by George E. Hamey was somewhat Romanesque in style and an arched entrance supported by rusticated piers filled the first story facade. The Jackson Square Branch library (251 W. 13th" Street, 1888, within the Greenwich Village Historic District) designed by Richard Morris Hunt for George W. Vanderbilt, was residential in scale and Flemish in style. The Harlem Library (32 West 123rd Street, 1891-92) designed by Edgar K. Bourne, which housed the library on the ground floor and bachelor apartments above, was similar to the Romanesque style rowhouse next door.

The use of the neo-classical/Italian Renaissance style in library design as an alternative to the more romantic Richardsonian style, had recently found favor with McKim, Mead & White for the Low Library at Columbia University (1893) and the Gould Memorial Library at the Bronx Campus of New









free floor plan program







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24
2011
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NATURAL RED OAK FLOORING - OAK FLOORING


Natural Red Oak Flooring - Elegant Floors.



Natural Red Oak Flooring





natural red oak flooring







    natural
  • A thing that is particularly suited for something

  • in accordance with nature; relating to or concerning nature; "a very natural development"; "our natural environment"; "natural science"; "natural resources"; "natural cliffs"; "natural phenomena"

  • A person regarded as having an innate gift or talent for a particular task or activity

  • A sign (?) denoting a natural note when a previous sign or the key signature would otherwise demand a sharp or a flat

  • a notation cancelling a previous sharp or flat

  • someone regarded as certain to succeed; "he's a natural for the job"





    red
  • (of a person's eyes) Bloodshot or having pink rims, esp. with tiredness or crying

  • (of a person or their face or complexion) Flushed or rosy, esp. with embarrassment, anger, or a healthy glow

  • red color or pigment; the chromatic color resembling the hue of blood

  • a tributary of the Mississippi River that flows eastward from Texas along the southern boundary of Oklahoma and through Louisiana

  • crimson: characterized by violence or bloodshed; "writes of crimson deeds and barbaric days"- Andrea Parke; "fann'd by Conquest's crimson wing"- Thomas Gray; "convulsed with red rage"- Hudson Strode

  • Of a color at the end of the spectrum next to orange and opposite violet, as of blood, fire, or rubies











natural red oak flooring - Cumberland II




Cumberland II 7mm Red Oak Natural Laminate


Cumberland II 7mm Red Oak Natural Laminate



7772207D Please note, this is the new Cumberland II, replacing the previous flooring part number 7772207C. It is important to note that the new 7772207D flooring will not lock with the old. Specifications: -Color: Red Oak Natural. -Construction: Laminate. -Installation Type: Float, ArmaLock Installation System. -Width: 7.6''. -Length: 54.33''. -Thickness: 0.28 . -Square Feet Per Carton: 28.67 Sq Ft. -Planks Per Carton: 10. Features & Benefits -ArmaLock Installation System. -No glue needed. -Full Bathroom installations - 100pct silicone caulk must be used around the entire perimeter and a 3/32'' bead of glue on the top of the tongue ONLY. -Durability, beauty, warranty protection and easy care at an incredibly affordable price. -Enhanced visuals and surface texture. -Wood-Grain embossing. -No acclimation required. Related Trim -Quarter Round: 05138. -T-Molding: 05238. -Reducer: 05038. -Threshold: M5438. -Stair nose: N/A. -47'' Flush Stair nose: 05338. -Base / Shoe: 05538. -Filler: N/A. -Overlap Stair: N/A. -Overlap Reducer: N/A. -47'' Overlap Step: 05638. Warranty: -Residential: 20 Years. View Interactive Installation Guide For Locking Laminate Flooring In order to maintain warranty & integrity of the floor, Armstrong recommends the use of only Armstrong branded products like underlayment, pads, moldings and installation kits as needed with every job.










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New Floors in Our Living & Dining Rooms - In Process




New Floors in Our Living & Dining Rooms - In Process





We're having natural red oak floors put into the living & dining rooms in our new house. Thanks to our friends up north!-this beautiful flooring is made in Canada. This view is from the dining room looking into the living room. They should be done by tomorrow.











Red Oak Flooring NATURAL COLOR




Red Oak Flooring NATURAL COLOR





Red Oak harvested in Ozark Mtns and Handcrafted into Elegant Flooring









natural red oak flooring








natural red oak flooring




Stained Red Oak Flooring Gunstock / Natural / 4 1/4 in. / Semi-Gloss






Jasper hardwood flooring is made exclusively from quality northern lumber. Jasper's tradition of manufacturing excellence is an integral part of every Jasper wood flooring product. All hardwood from Jasper is precision-milled, subject to stringent quality controls and dried in state-of-the-art kilns. This line of stained red oak has a smooth surface that is bolstered by 9 coats of OXYLUST + Exclusive aluminum oxide finish. This finish offers superior wear resistance over the competition in addition to limiting bacteria and mold proliferation through the use the antimicrobial agent Ultra-Freshandtrade;. All Jasper flooring is 3/4in. thick. It is tongue and groove and comes with a 35 year warranty against manufacturing / structural defects - Rustic grade is exclusive of this warranty.










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24
2011
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TEARDROPS ON THE DANCEFLOOR : THE DANCEFLOOR


TEARDROPS ON THE DANCEFLOOR : HARDWOOD FLOOR CHERRY : FLOOR COVERING FOR BATHROOMS.



Teardrops On The Dancefloor





teardrops on the dancefloor






    dancefloor
  • "Dancefloor" is the third single from the North London indie group The Holloways. It debuted at #41 in the UK charts. Its title track was included in The Holloways' debut album So This is Great Britain?.





    teardrops
  • (teardrop) anything shaped like a falling drop (as a pendant gem on an earring)

  • Shaped like a single tear

  • The Game of Love is the Greek singer Elena Paparizou's third studio album, and first English-language international album. It was first released in Greece on 25 October 2006.

  • A single tear

  • (teardrop) tear: a drop of the clear salty saline solution secreted by the lacrimal glands; "his story brought tears to her eyes"





    on the
  • South Kona coast, Pu‘uhonua o Honaunau National Historical Park encompasses an ancient Hawaiian area that contains royal grounds and heiau as well as a pu‘uhonua (place of refuge).  The ancient heiau and pu‘uhonua have now been reconstructed, along with carved images of ancient gods (ki‘i).

  • Standard Work Combination Sheet, automatic machine cycle time is shown with a dashed line to indicate that the machine is running on its own.

  • left side of the screen you can see different product categories. When you click on one of them the products contained in it will be displayed on the right side of the screen and you can scroll down the page to see all the products.











teardrops on the dancefloor - Classic Accessories




Classic Accessories 80-115-151001-00 Overdrive Teardrop Trailer Cover


Classic Accessories 80-115-151001-00 Overdrive Teardrop Trailer Cover



The Overdrive Collection Teardrop Trailer Cover by Classic Accessories is specially designed for Forest River teardrop trailers. Polypro 3 triple layer protection keeps out rain and snow. A thick, triple ply top and single ply sides protect against rain, snow, dirt, nicks and scratches for all season protection. An integrated air vent system combined with quick drying sides reduce wind stress and vent inside moisture and condensation between the cover and the trailer. An integrated tension panel webbing system and elasticized hem corners provide a custom fit. Zippered access panels provide access to the side door and rear storage area. A handy storage bag is provided.










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Dancefloor in the Enchanted Forest




Dancefloor in the Enchanted Forest





Deep in the enchanted forest at the End of the Road Festival is this illuminated dancefloor belting out disco classics











Dancefloor cake




Dancefloor cake





Saturday night dancefloor inspired cake - figurine and speakers









teardrops on the dancefloor







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24
2011
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